This architecture is inscribed with silent forcefulness in the Mendoza wine-growing landscape. A horizontal prism of pure lines rests on the vineyard in dialogue with the vastness of the Andes Mountains.
The volume is made of pigmented concrete and local stone. The architecture becomes a threshold: between interior and exterior, between the built and the natural. Living here is understood as a form of active contemplation, where body and spirit find a rhythm that accompanies the cycle of nature, the silence of the mountain and the changing light of the day.
It is a dwelling that favours introspection and awareness. It restores value to slow time, to emptiness, to silence. It is a work of austere geometry but deeply charged with meaning: it tries to disappear and at the same time marks a presence. A refuge that does not burst in, but integrates itself, as if it had always been there.
