Like a Palladian villa in the mountains, the volumes are arranged on axes, emphatic and restrained. Faced with the immense landscape, it responds with a sober architecture of precise proportions and essential language.
Stone, wood and earth-toned plaster organise a volumetry ordered according to the precepts of Palladian architecture.
Implanted in the heart of the vineyard, its central axis frames the ritual of living: crossing the threshold, being welcomed by order, looking towards the mountains.
The house is not an object in the landscape, but a response to it. In its gesture of containment and openness, it gathers something of the sacred, something that does not need to be explained.
